My art is a direct expression of my unconscious mind—each canvas a ritual, a meditation, a transmission. I work large because the scale demands presence. Using spray paint, paint markers, found technology, and hand-cut stencils, I build abstract environments shaped by movement, intuition, and myth.
The sun often appears as a vanishing point in my work, pulling the eye into a reflective horizon that hints at eternity. Water, light, and ancient symbols—especially petroglyphs—emerge through layered forms. These elements are more than motifs; they are portals to altered states.
I seek to create a visual language rooted in emotional truth, mythological resonance, and states beyond ordinary awareness. Each painting is a conversation with the mystery, an invitation for the viewer to participate in their own transformation.
I am influenced by artists who explore scale and story—Dalí, Picasso, van Gogh, and the architectural theatricality of Wyland. My goal is to place large-scale, immersive works into public spaces—hotels, lobbies, spas, and sanctuaries—where people can pause, reflect, and reconnect.